Dec 082012
 

After reading my friend and business partner Irene’s article on Ohio Star Ball, I felt extremely awful for not sharing my experience there. Unlike others, I’m gonna stick my “busy” ass on my office chair and tell you all about my fantastic dance experience at the Ohio Star Ball this year. I started hearing bits and pieces about OSB from my dance instructor Elmar Schmidt about 2 years ago. Everyone raved about how competitive it was and only the best of the bests competed there. It’s been my goal since then, that one day, I will compete there and get a real report card from the ballroom dancing world. I committed myself to go last year but something came up and it didn’t work out.

In the beginning of this year, I set as my ultimate goal, that I must compete in OSB this November. I said to myself that everything, including choreographies and techniques, has to be Perfect before OSB! How ambitious I was but I truly believe that if there is a will, there is a way!

Few months before the comp, I pushed poor Elmar to the impossible limit, to get all the open rhythm routines done (at this point, we only practiced minimally on open Rumba, ChaChaCha and little of Bolero) and add more contents to our open smooth routines.

Yes, I did tell Irene Not to have coaching lessons day before the comp…but I did worse myself! I asked our coach Greg Fidurski to come 2 weeks before OSB to change our routines. What was I thinking? In addition, due to courtesy of Hurricane Sandy, I lost a week of lessons. To add fuel to the fire, I was told that I couldn’t dance single heats on both closed and open routines. Being a perfectionist, I just couldn’t bear the thought of not fully preparing myself for the competition I’ve been so looking forward to. Thus I took a very risky step! I stopped all my lessons one week before the comp. Basically, I gave up the thought of Perfect Ten and I just wanted to go there to enjoy the ultimate dancing and the atmosphere of a great competition.

Let me tell you! What an awesome comp!! Everyone looked marvelous and everyone was ready to win! Looking at these amazing C-level ladies dancing on the floor, both Irene and I were impressed by their level of dance skills and of course their incredibly in-shape bodies! One championship starts with either quarter final or even first round, ie the one before quarter final. Twenty to thirty couples were competiting against each other and I believe the biggest champ heat had 42 couples competiting! When you didn’t make the cut, it truly didn’t mean you weren’t good. Indeed, you really were competiting against the world’s best Pro-ams! Of course it’s a nice feeling to move onto the next round and of course to win, but just being there to experience this exceptional dancing event, I truly think it’s worth every penny.

With the “winning” burden off my shoulder and going back to the closed steps that Elmar and I were familiar in dancing, I did well and we managed to get into both closed and open rhythm finals. I did my very best in the closed smooth championship and was happy to be placed second.  The open smooth champ was the one I heavily invested the time and effort on but due to the last minute change of steps and lack of single heat “practice”, I did horribly in the first round. People were bumping each other like bumper cars. I danced on crowded floor before but nothing like this one. You really had to know your steps and improvise with your dance partner as you went along; obviously, I lacked that preparation.

After the first round, Elmar told me to go back to the closed smooth steps (told ya I was bad), in case we were lucky enough to get to the next round. I said no: First, I was tired of dancing the same steps over and over again; Second, that was my last champ and I really had nothing to lose; Third, I was always told that open smooth should tell a story. How can I tell a story when two of us constantly face away from each other to keep the frame?! Therefore, I insisted in keeping on doing our new open steps regardless of the high chance of bumping out. Keeping in mind that I needed to improvise and go with the flow, I did OK and “survived” after the quarterfinal. At the semifinal, I thought I did really well and I knew I could make it to the final round. Despite a little wardrobe malfunction and a big time screw up in V.Waltz, I was placed 4th    

A message for all of us who always say to ourselves, “I am not ready for competition…”, “I don’t know my steps…”, ditch all the worries and just go out there and have fun!! That’s what ballroom dancing should be….

Happy Dancing! ;-)

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Dec 062012
 

It was the first time I went to the Ohio Star Ball.  What an experience! I really enjoyed to see so many great pro-am dancers there.  It was really an inspiring event! I am determined to go compete there next year!  Let’s see if I can achieve this in a year’s time. :-)

I met so many people there.  So many interesting stories about them that I would love to share.  One of them reached out to my heart!

I met this one lady Elisa.  She is 92 years old and was competing at the event!  Wow… that was what my reaction was.  She still has so much passion for it.  She didn’t start dancing till she was 71 years old.  She has been dancing for 20 years. She went to a dance party with a friend who tried to help cheer her up while she was going through a tough divorce.  And ever since that dance party,she has been dancing.  She said to me : ” Dancing gave me a purpose.  It helped me to overcome the tough time I had…”

Her instructor Alan Daughembaugh (Sonoram Ballroom) told me a funny true story about her: She went to her very first small regional dance competition. He was so surprised to see her in tears and asked why she was upset.  She said: “I don’t want it to be over!”

What a story! It really shows that dancing can be a life time enjoyment.  You can walk, you can dance! And enjoy every minute of it!

Hope to see you in the dance floor next time!

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 Posted by at 12:58 pm
Oct 082012
 

Last post I was wondering; if I got coaching right before competition will impact my performance at the comp? The answer is yes but in a positive way.  I did well in the competition yesterday.  I am very happy with my performance.  I did what my coach and Peter asked me to do: to have fun, enjoy the dance, and try to forget about the technical recommendation he gave me.  I think I did just that and it worked.  Here was my performance last weekend.  It was a wonderful experience :-)

http://www.youtube.com/watch?v=WT2419BQkfo&feature=plcp

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 Posted by at 4:43 pm
Oct 042012
 

Coaching lessons before a competition, good or bad??

I had two coaching lessons yesterday since that was the limited time our coach available.   My competition is tomorrow.   I still can hear my dear friend Amanda’s voice: “Are you nuts? why do you wanne do a coaching lesson before a comp?  So you can feel bad about what you don’t do right?…” I told her I would be OK since I was comfortable to know I would never be good enough and there would be always things to improve. I knew whatever they coached me would be for future improvement…

Anyway, I had my coaching lessons.  My coach told me that I needed to work on my basic smooth steps.  That will improve my total look and balance which I needed.  I was not doing the heel, toe right.  The weight balance was wrong… I would need to relearn the basic and retrain my muscles for the steps.  Both him and Peter (my instructor and partner) told me  NOT to do anything about what they said for the competition and just dance what I had been doing and just feel good!  I told them sure.  But my inner self said:” Are you kidding me? You think you can tell me my basic steps suck and then do nothing about it?”  He also coached me some minor adjustment for the competition as well which is good.

Do you think I will be able to follow their instructions and not change my steps and mess up my competition tomorrow?

We will see and wish me luck!!

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 Posted by at 8:02 pm
May 062012
 

It’s my great honor to have Mr.Martin Goethche to be the first guest of my blog discussion of ballroom dancing competition tips. Mr. Goethche is the owner and director of three Fred Astaire dance studios in New Fairfield region. Born in Denmark, Mr. Goethche began ballroom dance instruction at the age of three. He danced in amateur competitions before he was ten years old, and was a finalist in all the major Danish Dance Sport Championships in the children, junior and youth classes. In 1990, he and his wife Gina began their partnership as competitive ballroom dancers. Their titles include the Danish 10-Dance Champions and Austrian Latin and 10-Dance Champions. They were also finalists in the World and European 10-Dance Championships and in the World Latin Showcase Championships. Mr. Goethche has been teaching, coaching and judging for number of years and  he most recently appeared as one of the judges at New England Open Dancesport Championship in Stamford, Connecticut. Below is the interview which took place at Ridgefield Fred Astaire Dance Studio on March 9th, 2012.

Amanda(A): Can you list the top 3 things you look for when judging dance competition?

Martin(M): 1. First impression of the couple, how they match in terms of styling. 2. Level of partnership- how the emotion “flows” between the couple. Your instructor shouldn’t be just your instructor, he/she should be your dance partner.  Keep the eye contact. 3. Gotta feel and understand the music!

A: Do you use different criteria to judge the Pros versus the Pro-Am or Am-Am competition?

M: No. The same.

A: What do you think the most important element for becoming a successful Pro-Am or Am-Am ballroom dancer?

M: Stick with one instructor/dance partner so you two can built up the “chemistry” together and you don’t get confused since different instructors have different dancing and teaching styles.  You don’t need to have the best instructor but you should start with one to see if how you feel.  If things don’t work out, then you may consider changing partner/instructor.

A: The first thing that catches your attention on dance floor: a. Couple’s appearance b. Couple’s communication to each other c. Couple’s dance technique

M: Couple’s appearance

A: Do you have different judging standard or criteria based upon age categories or levels, i.e. Bronze vs Silver; level A, B, or C?

M: No. Same criteria all across.

A: For couple’s appearance, which one is the most important? a. Dance costume b. Hairstyle c. Makeup?

M: Have to look at the overall appearance. Once I saw a dancer wear a beautiful dress but the makeup was bad, it did influence my overall impression on her. Judges have very limited time(few seconds) to watch each couple, especially when there is a large number of competitors on the floor.

A: As far as technique goes, which one is more important? Footwork or Frame?

M: Definitely the Frame! When you first look at a person, you don’t look at him/her from waist down!!!Again first impression is the key!

A: How to score extra points on the dance floor?

M: You have to be likeable. You can show your confidence but still able to carry yourself with a smile. Besides, always present yourself well at all time because you don’t know who you will bump into outside the ballroom dancefloor. You never know the person standing next to you is indeed one of the judges at your competition. If you look and behave poorly in front of him/her, who do you think will get a lower score?…

A: Any memorable or funny moment or mishap on the dance floor during competition?

M: (He made sure no one underage was in the room;-)) I once was judging an Am-Am standard competition, the lady had a “wardrobe malfunction” and her whole front was suddenly exposed during her tango dance. Her partner was calm enough to pull back the dress for her and continue dancing, without losing his frame!!!……Therefore, you should always try on your dress and practice in it at least 3 to 4 times (” stress test”) before shows or competition….;-)

Hope you enjoy this interview and Happy Dancing!!!….;-)

 

 

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